“Music is not limited to the world of sound. There exists a music of the visual world.”

~ Oskar Fischinger

Is there no end to the versatility of paper in the pursuit of creative endeavour?  I am indebted to Gallivanta for sending me a link to this incredible, ground-breaking film called ‘Optical Poem, made in 1937/8 by Oskar Fischinger.

As the film explains, ‘Fischinger manipulated hundreds of paper cutouts hung on invisible wires and shot a frame at a time in close synchronization with Liszt’s [Hungarian] rhapsody’.  One can only guess at how long this must have taken.

This is highly reminiscent of the Disney film Fantasia.  Interestingly, Fischinger was originally part of the design team for that project, but he quit without credit because Walt Disney changed his original submissions.  It was thought they were too abstract and Disney wanted material that was more representational.

Nevertheless, Fischinger is sometimes referred to as the father of visual music.  When we compare his work with that of modern artists who paint pictures with sound you can certainly see why.  Check out this post, for example, which I wrote for my other blog LeapingTracks some time ago.  What a coincidence that this post featured a visual rendition of Listz’s Hungarian Rhapsody so that we might now compare the two.  There are similarities, of course.  But they are also miles apart in terms of production methods.

We have just recently passed the date of Fischinger’s 117th birthday.  To celebrate, Google Doodles have produced an amazing interactive music-maker, which allows the user to re-create the essence of Fischinger’s films.  You can find it here – I defy you not to get immediately addicted.  I’m sure Fischinger would be amazed and delighted if he could see the ease with which we can today produce the type of work he painstakingly put together nearly 100 years ago. 🙂

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